Photo to Hike Ratio- Harriman State Park

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Some people hike for exercise, some for solitude and some for the ultimate challenge. Simply put I hike to take pictures. I’m always on the search for hikes that have good photo to hike ratios. What I mean by that is a hike that has great opportunities to shoot in multiple locations without the time and energy to make a long extended hike. With limited time on weekends, hikes in the 2 to 4 mile range fit that requirement. Many parks in the NYNJTC area have extensive trails that allow for people to create their own combinations to fit their objectives. I did such a hike at Harriman State Park this past weekend. I’ve done this loop about five times. It’s not terribly difficult and the photo rewards are numerous. The photo to hike ratio for this hike weighs heavily in favor of photography. Starting behind the Reeves Meadow Center the trail combination is as follows Red-yellow-white-orange- red (see map). It makes an approximate 2 mile loop with some grade changes.

_MG_3067-BThe reason I enjoy this hike are the various creeks and brooks that can be photographed. With enough rain small streams form as they race down the mountain with the ultimate destination of joining the main attraction, Stony Brook Creek. The creek has amazing colorful rocks embedded in the stream itself and along its shores. Pine Meadow Brook emerges midway on the hike. A smaller more delicate stream but offers many cascades. On this loop Cascade of the Slid can be seen. It’s a series of small waterfalls working their way through large boulders as it makes its way down hill. Under wet conditions both streams offer numerous opportunities to shoot and create beautiful images.

_MG_2993-bTiming is everything here. Weather conditions and time of the year are very important. Fall and spring, especially after some rain like this weekend, brings out the best in the creek. Fall obviously explodes with outstanding color and the springtime is a rejuvenation of intense greens and new blooms. Rhododendrons and Mountain Laurel line the upper portions of this trail and can certainly add to any composition. Water, rocks and blooms when incorporated together in a composition are a recipe for excellent images.

©Larry Zink

Thomas Teich-Weathered pine, cliff edge, Kaaterskill Clove

This beautiful rugged pine grows from a crack in the cliff wall 80 feet high at a spot called Palenville Overlook at the eastern end of the Kaaterskill Clove. Accessed by route 23A, this area affords a stunning view of the Hudson Valley as well as views westward into the Clove and south along the Great Wall of Manitou. A state trailhead and parking lot are the access point at the western edge of the village of Palenville. Years before, I had photographed this same tree in color and had always intended to do it again in black and white. Weathered pine, cliff edge, Kaaterskill Clove. Thomas TeichOn this early winter day, I made the trip arriving at this point in the early afternoon as planned. My goal was to portray the tree as a living sculpture in its harsh, yet beautiful environment. I believe this tree to be much older than its small size would indicate, its 8 foot stature is maintained entirely by the elements. How it found purchase and survived in this spot using only a crack in the cliff one inch wide is a miracle of nature. Beyond the tree is a sheer drop providing the unobstructed view of the clove below that my intended image required. My intention was to depict the tree clinging to edge of the world. I set up my 8×10 camera with 210mm wide angle lens and a medium yellow filter to render the blue sky above a realistic medium gray. I toyed with the idea of using a red filter which would create far more contrast and a darker sky. In the end I chose the more subtle approach to maintain the rich shadow values that were so necessary to balance the image. I waited for over an hour as the sun grew lower and illuminated the trunk of the tree, while casting a shadow behind it on the southern wall of the Clove. With all of the elements in place, the wind began to blow! I now played a waiting game with the wind, trying to guess its patterns (much like ocean waves) in order to make my 1 second exposure at f/45 without movement. At last I succeeded and the result was one good negative and a living icon of the forest preserved forever. ©Thomas Teich

Sunday in the Park

I spent a Sunday morning recently shooting in Harriman State Park  with fellow photoblogger Dean Cobin. While we had talked about shooting together in the past on this particular Sunday it was a spur of the moment shoot concocted the night before. So, with some mad social media skills  we arranged a time and location. According to my trusty accu-weather app the forecast wasn’t great…….sunny skies no clouds. Atmospherics always play an important role in the ever allusive epic image whether it’s at Harriman State Park or at Yellowstone National Park. brookExcept for some early morning passing clouds it became a cloudless bright blue sky by early morning as predicted. Undaunted, Dean and I ventured off.  While I’ve  shot at the park numerous times it’s actually Deans backyard having spent much of his formative years there. As we traveled around we went to some of the more off the beaten path sections that he was familiar with.

For a state park so close to New York City Harriman has such a varied landscape for photographers. Lakes, creeks, pine groves, flowers and vistas are all hiding within its boundaries. On this day though, we spent most of the morning shooting all along Tiorati Brook.  To our surprise, especially considering the lack of rain, we found many pools of water that had beautiful reflections along with interesting cascades guiding the water along. Given the light that morning it played out perfectly as the pools became reflective of all the colors and shapes around it. harriman deanThe moss on the rocks was becoming a  beautiful electric green that occurs in the springtime along brooks and creeks.

Life is regenerating again all around us and springtime in Harriman is a wonderful place to be …….especially as a photographer.

©Larry Zink

©Dean Cobin

 

Lone Rock in the Water

I’m always looking for simple graphic images in any chaotic environment. The river at Ken Lockwood Gorge is filled with so many photographic opportunities.  I spent a fair amount of time in this one river location working the composition and waiting for the light. I’m sure the hikers who passed me coming and going were curious as to what I was shooting. Was I photographing  a fish?  Was it a cool Amphibian? No, it was a lone rock in the water.

River rock-BThere are 3 main elements that caught my eye: the colors reflecting into the water, the way the water was moving around the rock itself and finally the distinct shape and colors on the rock. Presenting those 3 elements in a neat and tidy composition is the challenge.

My 70-200 allowed for the tighter composition and I purposely positioned the subject low in the crop and used the rest of the frame to enhance the story. Next, taking a cue from Dean Cobin’s blog (see below….thanks Dean) and his use of neutral density filters I broke out my 4 stop ND filter. This filter doesn’t get to see the light of day very often but coupled with my polarizer it gave me about six additional stops to play with. Having the ability to shoot with a longer exposure allowed the cascades to be soft and white. The curves of the water are essential  elements in the composition without over powering the rock.

 

Long Exposures with Dean Cobin

Learn to shoot long exposures and you will really start to gain creative control of your images.  It’s actually very simple and lots of fun.  Here are the basic’s ; you will need a tripod mounted camera and a simple understanding of how to increase the length of your exposure time, you’ll also need something  to shoot  such as a stream, rushing water at the beach  or clouds on breezy day . Once you pick your scene go head and meter your shot. In this example I will be shooting in aperture priority so once I set my f stop the camera will choose the correct shutter speed accordingly.

_MG_7130 dean FTake your exposure and keep track of the exposure time.  Now comes the question how do we extend the length of the exposure and the answer is we need to block some light, the first and simplest way to do that is to “stop down” or close down your aperture. This means to move it to a higher number. Remember that for every stop you add you are decreasing the amount of light by half or doubling the exposure time. For example if your first exposure ended up being ¼ second then by stopping down to the next stop your next exposure should end up being ½ a second  which is an eternity in photographic terms , if you stopped down  again your exposure would end up being a full second long . You might ask what happens when I run out of stops on my lens, where here’s where it gets more interesting you can also control the light by putting something called a Neutral Density Filter in front of your lens which I will leave for another discussion.

Light is the big factor here and if you want to realize immediate success when trying this I suggest you attempt this during very early light or very late light the results  you can achieve  with just your lens will be quite significant. The image posted here was slightly more difficult to capture because It was shot at noon , but with the aid of an overcast sky and a variable neutral density filter I was able to extend this exposure to 4 seconds which creates a dreamy effect for the pour off’s and strong flow lines in the water which add the intended effect  for my composition.  Try it I think you will really enjoy the effects and never be afraid to take risks with your creativity that’s what makes us all unique.  Of course there are countless hours of reading and info on this subject on line which I strongly encourage you to explore…

 

 

Photographer to check out-Dwight Hiscano

I’d like to introduce everyone to a another photographer by the name of Dwight Hiscano. FROZEN DOGWOOD, BLACK RIVER PARK, MORRIS COUNTY, NJAn accomplished  landscape photographer of 30 years from New Jersey  who has published a book entitled New Jersey :The Natural State and is a trustee of the New Jersey Highlands Coalition. His beautiful work is in many private and corporate collections through out the country. Reading his biography from his website you realize that Dwight has a deep seeded concern for the environment and its protection for our well being. As an aside, for the past year I’ve been giving talks  about New Jersey and its photographic possibilities and at those talks Dwight’s name has come up many times as another photographer who has combined his interest in photography and conservation.Rahway River Headwaters, South Mountain Reservation, Essex Count Dwight was raised in the NJ Highlands and is very familiar with the NYNJTC region and we look forward to seeing more work and contributions from Dwight. Check out Dwight’s website. www.dwighthiscano.com Larry

©Dwight Hiscano

Thomas Teich-Snowstorm from Hunter Mountain Fire Tower

This photograph was made the day after a moderately heavy winter storm in December. Many people who ski at Hunter Mountain do not recognize this view from the top of the ski lift. That’s because they are not on Hunter Mountain! Colonel’s Chair is the home of the ski resort. Snowstorm from Hunter Mountain fire tower. Thomas TeichThe real Hunter Mountain lies approximately 1.5 miles to the southeast, and is a wild, heavily forested guardian overlooking the Stony Clove. I set about with 8×10 camera package and a light lunch to photograph from the then abandoned state fire tower at the summit. Since this image was made in 1990, the Catskill Mountain firetowers have been restored for public use and are a wonderful day hikers destination offering incredible views any time of year. Back then, however, they were dangerously unmaintained and climbing them was risky; especially after a snowfall. My two friends and I began the climb off of route 214 just north of the Stony Clove. The snow was light and powdery making the ascent extremely long and difficult. Hidden rocks and roots tripped us constantly and every stumble resulted in a frustrating backward glissade nearly doubling the time it took to reach the top. The summit was extremely cold and once there, it began snowing again. We took shelter under the spruce and ate lunch waiting for a break in the weather. Before long the snow stopped and we climbed the tower in search of a high vantage point. It was soon apparent that the ricketty snow and ice covered steps and platform were to big a risk for all of us so my companions remained below as I set up the camera ten feet above them. The scene before me was magnificent. A birds eye view of the wind and snow blasted spruce and balsam with the Stony Clove and summit of nearby Plateau Mountain emerging from the clouds. I set up the 8×10 camera with a 360mm lens to gain some reach and waited for the clouds to cooperate. This time though, waiting proved futile. New clouds carrying snow moved up the Clove and began to obliterate my view. The wind picked up and more snow was imminent. Within seconds, the wind parted the clouds above Plateau, and I made my exposure, the distant summit barely visible. The snow came on full force now so I packed quickly, hopeful about this one negative. We retreated back to the trail and headed down. I stopped just below the edge of the summit and made another fine snow forest picture then joined my friends for the long, slippery descent to the valley below.©Thomas Teich