Fall Foliage 2014 Part 2-Monksville Reservoir and dead trees

While not in chronological order but rather geographical order the next stop for me was  New Jersey. The fall colors  this year were really pretty good. I may have missed it slightly North in the Adirondacks and in Virginia ( upcoming Part 3 ) but wherever I was able to shoot in the Garden State the colors were bright and crisp.

These two images were shot at Monksville Reservoir. I met up with Dean Cobin that morning and we drove to Monksville Reservoir looking for some combination of fog and dead trees. Maybe  on the face of it doesn’t it sound interesting but I like to photograph dead trees in water.  The starkness and how they interact with themselves and the background make for interesting compositions and images. A couple of my current favorite dead trees in water spots  in New Jersey are Franklin Parker Preserve and Merrill Creek Reservoir and I can now add this spot to the list.

This particular morning didn’t produce any significant heavy fog but rather a light fog that quickly dissipated. For the first image we positioned ourselves directly across from a grouping of trees. monk trees-1blogTheir bold white trunks and limbs became very graphic against the wall of foliage on the shore across from us. Virtually no breeze that morning kept the water calm for beautiful reflections, an added bonus. What was hard to see in the morning was how colorful the leaves were but as the fog dissipated and the sunlight began to pour across it became apparent that it was going to be a nice combination. The colors here were similar to all the areas I shot through out the state.

For the second image I moved down the shore and looked at another set of trees further up the lake. As I did this I noticed how the low level fog was becoming backlit and the trees had a rim light effect. At this point I knew I had the perfect vantage point.  I decided that I really wanted a heavy compression of the objects for this composition. I wanted a “flatter look” to the final shot. To achieve this, I  added a 2x converter to my 70-200mm lens. I shoot with a Cannon 7d and it has a reduced chip size vs a standard 35mm sized sensor. What that effectively means is that any lens size has to be multiplied by a factor of 1.6. That makes my 70-200 a 112-320mm. Couple that with a 2x and I’m approaching a 600mm sized lens. Wildlife photographers like to use a reduced chip camera like this one to increase their lens length while still obtaining a high resolution. monk and boatblogOnce I had the composition it was just of matter of getting an exposure that I liked. I had a really strong composition that by itself would have been successful but then an unexpected treat happened. A guy in a canoe was fishing and heading straight into my image. This easily elevated the shot for me. Adding that human element gave an instant sense of scale and connection to the environment  There are times that as a photographer you know you have the image while your shooting. In this case, the exposure never really changed and it was just a matter of clicking the shutter when I felt the person was in the right spot. I shoot in live view mode so I was able to see the person maneuver his canoe on the back of my LCD and clicked away. The final capture is one of my favorite images from this year.

©Larry Zink

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Fall Foliage 2014. Part 1-The High Peaks region in the Adirondacks

This is the second year in a row where I have made the attempt to follow the changing colors starting in the Lake Placid region of the Adirondacks also known as the High Peaks region. It always sounds like a great idea but your completely at the mercy of mother natures control of the elements that make up a spectacular fall season. In some locations on my trip I felt I just missed the peak colors  and others I may have caught the tail end. For the second year in a row my journey began in the Adirondacks but this year it ended at the southern point  of Shenandoah National Park in Waynesboro Virginia rather than New Jersey.

A somewhat of an easy drive of 5 1/2 hours from my house, assuming no traffic , the Adirondacks offer a wealth of photographic opportunities. I’m still learning the terrain up there though. It’s only the second time that I’ve been there and finding locations that appeal to me is part of the adventure. In speaking with the locals it seems that traditionally the last weekend in September and the first one in October are the peak weekends. Last year I went in September and this year in October. I felt that it was just past peak this October. Mother nature and I weren’t in sync  on this trip. Don’t get me wrong the colors were beautiful but they were spectacular last September.  The High Peaks region may have been slightly towards the end of the fall color cycle but an hour or so south in the park it was amazing. Good to know for next year.

The local weather report called for cloudy skies on my first morning. Heading out that morning I drove to some popular spots but again not knowing the locations well enough and the how the light would react the morning started out slowly. What I learned on this trip is that the weather can be great in one area but 5 miles or even less in another direction it can be completely different. As I started to drive back the skies began to change and open up. I was really hoping for some beautiful light to shoot and the actual content of the image I would figure out later. The clearing morning fog combined with the developing clouds was happening quickly and it set up for an entire morning shoot in and around Marcy Park. Earlier I said that my creative vision is changing. I’m trying to capture images that have a feeling that your standing there with me soaking in the changing light and the general atmosphere. I’m not looking at purely documenting the location but trying to have you experience it with me. It’s difficult, not always successful but creatively challenging.

While this shot may not be exactly overwhelming in terms of content I love this image for the light and the feeling it has. For as outrageous as the landscapes can be in the region it also has many smaller quieter sides of life. marcy landing stripblogThe light was just beautiful as it broke over the horizon and hit the mountains in the distance. That house in the image is owned by the town and quickly became part of the composition. The only person around that early in the morning was a town worker checking on facilities in the area.  A quick conversation revealed that this large open area is a landing strip for small planes. It was perfectly fine for me to be there and shoot but he said “ just watch out for planes”.

The next image was taken taken along LOJ road. I was with my wife and I had a feeling that a good sunset may happen that evening so we headed out to find a good spot to shoot. I was aware that this is a very popular place to shoot sunsets and sure enough I was not alone.loj roadblog It’s a long road that affords plenty of space to shoot though. One of the things to get used to up there  is the concept that much of the land is privately owned. Even areas that can be hiked may be on or adjacent to private property. If a sunset could be quiet than this is the one. There were no flaming colors, no crazy cloud formation just a blend of subtle hues that illuminated the surroundings. As with the house in the previous image I needed a focal point in the lower portion of the composition and the lone orange tree was perfect. The mountains in the shot are some of the High Peaks that lay just South of Lake Placid. The quality of light and depth of the image make it a successful one for me.

Comparing the two images illustrates were my mind was and is creatively. They are both very similar in my attempt to capture and portray what I saw and felt. I’m already anxious to return the Adirondack region to explore more areas  but I have a feeling that I will not wait for the fall to make that happen.

©Larry Zink

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