1 Spot, 2 photographers, 2 visions

It’s funny how the creative mind  works. How can two photographers be in the same beautiful  location and see the same elements but have two different visions on the final image. I’m fascinated by that process. It may be as simple as something we saw that triggered the process or maybe something deeper. Perhaps unexplainable or just plain innate. Either way here is our thoughts on shooting in the Catskills around Peekamoose Mountain last weekend.

Larry- What struck me about this spot were the long flowing lines and the x shape that formed between them. I tend to look for graphic shapes in my compositions. This was a natural. The x and lines are very strong compositional elements. They define the foreground and help draw your eye back to the cascades. The larger decision for me was how much of the background to show._MG_4237 Blog LZ I knew the cascading water was very important and the key to finishing the composition. The cascades provide the connection of the water from the foreground to the background. However, I wanted the main focus to be on the x and flowing water so cropping out the trees and the rest of the environment behind the  cascades became necessary. Once that decision was made I positioned my camera with an 11-22mm lens low to accentuate that dynamic relationship, switched the camera to live mode and fine tuned the final capture.

©Larry Zink  Cannon 7d, 11-22mm lens 13sec @ f/13

 

Dean- Since I have been to this locations many times before I had pre-visualized a completely different shot however since this time I would be able to shoot from standing in the water,  which normally due to conditions I have not been able to do this new composition entered my mind. From the new angle I saw the potential for beautifully defined flow lines which would be created with a long exposure, couple that with the perfect flow volume for the pour-offs which I also knew from experience would stay completely defined and clear the combination of the two generally makes for a nice image. The scene had great tonality and I was able to completely see this in Black and White in my mind’s eye.  _MG_9905-deanI like the way the image turned out probably one of the best of the day, hey every once in awhile you get lucky and it actually all works according to your plan for those who are interested this was a 30 sec. exposure the light was relatively low so it was easily achieved by stopping down to f22 I was using a polarizer to control the glare.

©Dean Cobin Canon 5DMark2, 17-40mm, 30sec @ F/22

 

 

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